some kind of exhaustion with the creative class

more and more, i am tempted to disavow my identification with the creative class. i can’t tell if it’s just a dallas-based discontent, or if it is more far flung, like when i see gentrification apologists being smug on facebook.

in this particular situation, ‘class’ is the operative word. i still remember sitting in on a meeting of a group from CalArts that was working on the topic of MFA debt, in which one of the white male organizers stated quite clearly, “i want to be able to afford to not live in a ‘bad neighborhood’.”

as someone who grew up with parents working in factories, nursing homes, and back-of-house restaurants, the distinction that the creative class makes between itself and the working class/poor (aka the people who live in ‘bad neighborhoods’) makes me twitch. in my experiences with some artist organizing in los angeles and dallas, it seems like the class concern stops at the artist’s well being. as long as artists with MFAs can live in affordable apartments and have steady jobs with benefits, it’s fine. nevermind the fact that the gallery you are about to open is in an area that displaces hundreds of working class families.

in dallas it’s particularly exhausting because very few artists here generate art with political content. it’s one thing to generate art with political content but then not practice that politics in one’s real life. it’s another to be completely disengaged with politics altogether. this lack of critical political thought leads to artists not making the connection between the city’s complicity in evicting renters and its crackdown on art events without a certificate of occupancy. artists are willing to mobilize for the latter, but not for the former, because ultimately the creative class in dallas does not see itself in solidarity with the working class/poor.

when the city of dallas finagles a closed door $15 million bailout of a performing arts center that pays its top executive just shy of half of a million per year and dallas opera is telling you to go shop at versace so that they can get a percentage of the proceeds, the class affiliation of the dallas art scene is seriously, seriously twisted. why does the creative class see themselves in these institutions, and not in the faces of working class families who are most likely closer in income and struggles? is it aspirational? is it the denial of privilege?

i think it’s a difficult pill to swallow for artists to take a step back and say “i’m privileged”. but it’s true. i have to pay my student loans and my health insurance every month, but i have an MFA and a savings account and because of that, i’m one of the most privileged people living in my neighborhood. privilege stops being an indictment when one transforms that privilege into solidarity. that solidarity is what is lacking in creative classes not only in dallas, but nationally.

there are a handful of people in dallas who keep me going, without whom i probably would have given up this place months ago. some of them are artists, but some of them are decidedly not. i’m fighting, but i’m also fighting exhaustion.

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Gentrification: A Web Reader

20160205_181033This weekend I will be participating (read: opening my big mouth!) on a panel about gentrification at Ro2 Gallery as part of the closing exhibition of Giovanni Valderas’ Forged Utopia exhibition at the MAC. Click for more information about Giovanni’s fantastic (and you know I rarely call anything in Dallas fantastic), timely, and relevant exhibition.

Accordingly, this week’s reading list is a list of gentrification resources that I’ve been compiling over the past year, with the goal of building connectivity between national networks and local knowledges about the ways in which communities of color are displaced and resist displacement. Please comment with thoughts and additional resources.

What is Gentrification?

Gentrifier Aesthetics and Aesthetics of Resistance

Local Context – Dallas

Local Context – Los Angeles

Local Context – Other

Macro Patterns of Migration

 

Los Angeles, I Ache: June 6, 2016

Despite being away from Los Angeles, there are still moments where I feel the sensations passing through collective body of my communities back home. It’s like how a spider senses an insect landing on a nether portion of its web – apt since most of these waves are transmitted through social networks. Usually I don’t sense the joy, but I do sense very deeply when my community aches, and I ache right back.

Here are some things that I’ve been aching about this week:

Shooting at UCLA – I worked at UCLA, knew people who graduated from UCLA. Despite the broken nature of the UC system and higher education, I still consider UCLA one of the defining institutions when it comes to generating discourse on art and activism in Los Angeles. In this case I watched as my friends were on lockdown for hours.

PSSST gallery opening in Boyle Heights

This has been breaking my heart for weeks. PSSST actually approached one of my collaborations earlier in the year for a short summer residency and I was immediately suspect, as it was a white-owned gallery operation in a historically Japanese and Chicano neighborhood of Boyle Heights. Boyle Heights is incredibly well organized, with long histories of cultural organizations and community spaces, and I found it really suspect that none of the prominent cultural workers from Boyle Heights had said anything about this space or were involved. Researching their website, I became conflicted because queer, femme bodied, and PoC artists/curators who I respect a lot and in some cases have personal relationships with were on their board. We ended up turning down the offer. Fast forward a few months, and PSSST is at the center of anti-gentrification protests in Boyle Heights. It has been breaking my heart to watch from afar how responses to these protests have split the art community, and moreover, split the community of radically-minded artists and artists of color. In this case, it seemed like their board of well respected queer, femme bodied, and PoC artists/curators worked to deter the conversation about gentrification and raise doubts about the legitimacy of the protestors. I myself feel really conflicted about this as I am from outside the community and now literally live thousands of miles away, so in a sense I can’t speak to what is truly happening inside Boyle Heights. But I can say that has been personally devastating to see people within my (former?) community exhibit racist and institutionalized behavior that privileges the concerns of the art community over the concerns of residents who have lived and cherished their neighborhood for years. I hope that choosing between the art community and a community on the verge of displacement is not a choice we ever have to make, that as artists we always understand that our solidarity is always with those who are most structurally disempowered – especially if we contribute to that disempowerment.

#BLMLA organizer Jasmine Richards convicted of felony lynching

13305181_10154826220643906_1751655282651861749_oTwo years later, a jury without a single black person and an Asian judge and Chinese prosecutor convicted #BlackLivesMatter organizer Jasmine Richards of felony lynching – an absurd charge that completely perverts the original intention of the law. I remember the day of the protest actually. I don’t think I went but it was in my consciousness. I also remember seeing Jasmine in Power: From The Mouths of the Occupied, a play by #BLM co-founder Patrisse Khan-Cullors at Highways Performance Art space at the 18th Street Arts Center complex in Santa Monica. The play was a collection of dramatized monologues about each participant’s experience with police and state sanctioned violence. Jasmine’s story was one of the most intense stories of the night. I held it in me, I admired her resilience, and I understood her leadership and passion. I ache now because the person who I saw perform that night is not a person who should be in jail. Because of that work, I understand her actions to free a fellow protestor (the definition of “lynching”) to be one of compassion and justice, and I continued to be floored by her strength while understanding that in this world, none of us should be obligated to be that strong.

At the same time, this event really underscores the need to do the work to heal anti-blackness in Asian communities. I think it’s time to acknowledge the structural origins of Asian anti-blackness instead to pointing to any one Asian ally as an example of #NotAllAsians. Until we acknowledge it, we can’t truly dismantle it. As someone who has been divorced from my country of origin for myriad, complex reasons, I am still working through how to begin this work in my own community which I do not consider community (once again, myriad and complex reasons). This is something that I will write more about at a later date.

These are the actions that #BlackLivesMatter is urging people to take:

SIGN THE PETITION: http://act.colorofchange.org/sign/freejasmine-no-jail-time-black-lives-matter-activist-accused-lynching/?sp_ref=203026269.176.169279.e.535244.5&referring_akid=.2244075.bWCrFT&source=em_sp

You can ALSO can help by:

1. SHARE! SHARE! SHARE! We need as many people talking about this as possible. Please share as widely as you can! #FREEJASMINE #BLMDENA #BLACKLIVESMATTER

2. Pack the courtroom for her sentencing hearing:

Tuesday, 06/07/2016 at 8:00 AM, Pasadena Courthouse – 300 E. Walnut, Pasadena, CA.

3. Donate to Jasmine’s legal defense and/or books at www.crowdrise.com/blmla(Note“Jasmine” in your comments.)

4. Use your voicetalents and resources to elevate Jasmine’s case and cause.